{"id":2614,"date":"2012-05-26T08:19:48","date_gmt":"2012-05-26T12:19:48","guid":{"rendered":"http:\/\/janetgover.com\/?p=2614"},"modified":"2012-05-26T08:19:48","modified_gmt":"2012-05-26T12:19:48","slug":"the-final-word-on-pitching-your-story","status":"publish","type":"post","link":"https:\/\/janetgover.com\/?p=2614","title":{"rendered":"The  final word\u2026  on pitching your story."},"content":{"rendered":"<figure id=\"attachment_2616\" aria-describedby=\"caption-attachment-2616\" style=\"width: 274px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/janetgover.com\/wp-content\/uploads\/2012\/05\/MH.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-2616  \" title=\"MH\" src=\"http:\/\/janetgover.com\/wp-content\/uploads\/2012\/05\/MH.jpg\" alt=\"\" width=\"274\" height=\"270\" srcset=\"https:\/\/janetgover.com\/wp-content\/uploads\/2012\/05\/MH.jpg 304w, https:\/\/janetgover.com\/wp-content\/uploads\/2012\/05\/MH-300x296.jpg 300w\" sizes=\"auto, (max-width: 274px) 100vw, 274px\" \/><\/a><figcaption id=\"caption-attachment-2616\" class=\"wp-caption-text\">Michael Hauge - his workshop taught me a lot<\/figcaption><\/figure>\n<p>I think it was the great Ray Bradbury who said a story has three parts \u2013 the writer, the story itself and the audience.<\/p>\n<p>A story has not fulfilled its function until someone has read it.<\/p>\n<p>The final session at the <a title=\"Muchael Hauge's website\" href=\"http:\/\/www.storymastery.com\/ \" target=\"_blank\">Michael Hauge\u00a0\u00a0<\/a>workshop held by the New Jersey RWA was on pitching your work to an agent or an editor.<\/p>\n<p>I don&#8217;t know a single writer who enjoys a pitch. But we all have to do them\u2026 and it never stops. Just because you have an agent or a publisher, you still have to sell you next book. And the one after that\u2026 and so on.<\/p>\n<p>So we best get pitching right!<!--more--><\/p>\n<p>According to Michael, the most common mistake writers make when they pitch is trying to tell the story. Don&#8217;t do it, he says. Give the listener just the key elements that promise an emotional reaction \u2013 because after all, emotion is what it is all about. Think about it \u2013 can you imagine telling the whole Titanic story in a pitch? No way.<\/p>\n<p>He gave us an eight step approach to a good pitch \u2013 four parts preparation and four parts presentation.<\/p>\n<p>Before you do the pitch\u2026<\/p>\n<p><strong>Review<\/strong> your work to make it the best it can possibly be.<\/p>\n<p><strong>Write<\/strong> the pitch \u2013 get it perfect in every way. Make sure you can sum up the key points in just two minutes. Make it exciting and emotional.<\/p>\n<p><strong>Rehearse<\/strong> it \u2013 no editor is going to be bothered if you are not word perfect, but you have to be able to get it across well.<\/p>\n<p><strong>Research<\/strong> who you are pitching to \u2013 make sure it&#8217;s the right editor or agent for the style of work you do.<\/p>\n<p>When you start the pitch\u2026<\/p>\n<p>Try to establish a <strong>relationship<\/strong> with the person you are pitching to. That can be as simple as saying something about another author who works with that agent or editor\u2026 tell her why you like that person&#8217;s books.<\/p>\n<p><strong>Reveal<\/strong> your story in the same way that you might write a story \u2013 building to a climax. Start with how you got the idea\u2026 &#8220;I started thinking what if\u2026&#8221; then tell the key points of setup \u2013 ending with the shout line. Then put in into the marketplace\u2026 Readers of author XX will like this.<\/p>\n<p>That should take only two minutes of your five minute pitch\u2026 but don&#8217;t just stop and leave an awkward silence. This is the <strong>request<\/strong> moment \u2013 your request.<strong><\/strong><\/p>\n<p>You ask if she has any questions. If she does \u2013 listen carefully and answer succinctly \u2013 Michael says 10 seconds at most. Do not ramble on about side issues. If an editor asks do Jack and Rose get their happy ending \u2013 the answer is simple \u2013 &#8220;No. Jack dies.&#8221; There&#8217;s no need to give details about how he dies, we just need to know he&#8217;s gone leaving Rose the take charge of her life alone.<\/p>\n<p>If she doesn&#8217;t ask a question \u2013 you ask a question \u2013 ask if she would like to see your work.<\/p>\n<p>The <strong>response<\/strong> is the final part of the process. Either they will ask to see the manuscript \u2013 or they won&#8217;t. If they do want to see it, don&#8217;t pitch a second idea unless they ask you to. Just get the details of how to send it, say thanks and leave. You have had a successful pitch so leave on a good note.<\/p>\n<p>If they say no \u2013 don&#8217;t try to change their mind, you won&#8217;t. If there is time you could try pitching something else, or ask what in particular they do want to see and if you could send something later.<\/p>\n<p>Michael went on to say not to worry if you are nervous when doing that pitch. Nobody cares about your nerves. Nobody is going to reject a promising book because the author is nervous. Remember \u2013 they are taking pitches because they are looking for new stories and new authors. So just accept that you&#8217;ll be nervous, and get on with the job of doing your book justice!<\/p>\n<p>I had heard some of this before \u00a0but it never hurts to hear it all again.\u00a0 Michael had such a great way of making it all seem so clear. Pitching is never going to be easy \u2013 what we are all looking for is for our pitches to be successful.<\/p>\n<p>That was the final part of the workshop. I have to say it was one of the best I have ever attended. I can&#8217;t recommend him highly enough. It you get a chance- do go to one of his workshops. You won&#8217;t regret it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I think it was the great Ray Bradbury who said a story has three parts \u2013 the writer, the story itself and the audience. A story has not fulfilled its function until&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-2614","post","type-post","status-publish","format-standard","hentry","category-writing"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7g6jm-Ga","_links":{"self":[{"href":"https:\/\/janetgover.com\/index.php?rest_route=\/wp\/v2\/posts\/2614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/janetgover.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/janetgover.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/janetgover.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/janetgover.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2614"}],"version-history":[{"count":0,"href":"https:\/\/janetgover.com\/index.php?rest_route=\/wp\/v2\/posts\/2614\/revisions"}],"wp:attachment":[{"href":"https:\/\/janetgover.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/janetgover.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/janetgover.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}